The Global Stage Awaits: Bad Bunny's Super Bowl LX Halftime Spectacle
The 2026 Super Bowl Halftime Show delivered an electrifying performance that cemented Bad Bunny's status as a global icon, bringing the vibrant energy of Latin music to the world's biggest stage. On Sunday, February 8th, the 31-year-old Puerto Rican superstar, Benito Antonio Martínez Ocasio – better known as Bad Bunny – captivated millions with a roughly 14-minute medley of his biggest hits and acclaimed tracks. Fresh off a historic Grammy win for his 2025 album, "Debí Tirar Más Fotos," including Album of the Year, the anticipation for his Super Bowl LX appearance was at an all-time high. Fans worldwide eagerly wondered:
What songs did Bad Bunny sing at the Super Bowl?
True to his promise at an Apple Music press conference, where he declared, "I just want people to have fun. It's going to be a huge party," Bad Bunny transformed the Super Bowl field into an unforgettable fiesta. His performance was not just a concert; it was a cultural moment, showcasing the depth and diversity of his discography, sung predominantly in Spanish, yet resonating with an international audience. The meticulously crafted setlist was a journey through his catalog, from the groundbreaking "YHLQMDLG" (2020) and the record-shattering "Un Verano Sin Ti" (2022) to his latest Grammy-winning sensation, "Debí Tirar Más Fotos."
What Songs Did Bad Bunny Sing At The Super Bowl? A Track-by-Track Journey
The Super Bowl Halftime Show is a meticulously choreographed spectacle, and Bad Bunny's performance was no exception. Every song choice contributed to a narrative that celebrated his artistic evolution and Puerto Rican roots. Here’s a detailed breakdown of the songs Bad Bunny performed at the Super Bowl, offering insights into each track's significance and how it contributed to the overall experience. For a complete list of tracks, you can also check out
Bad Bunny's 2026 Super Bowl Halftime Show: Full Song List.
Opening with a Bang: Hits from "Un Verano Sin Ti" & "YHLQMDLG"
Bad Bunny kicked off the Super Bowl Halftime Show with an explosive start, drawing from two of his most iconic albums, setting a high-octane tone right from the first beat.
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"Tití Me Preguntó": The show began with the infectious rhythm of "Tití Me Preguntó," a standout track from "Un Verano Sin Ti." This song, whose title translates to "Auntie Asked Me," instantly ignited the crowd. Lyrically, it's a playful exploration of modern relationships and commitment, with Bad Bunny rapping, "
Tití me preguntó si tengo mucha' novia', mucha' novia' / Hoy tengo a una, mañana otra, pero no hay boda" ("Auntie asked me if I have a lot of girlfriends, a lot of girlfriends / Today I have one, tomorrow I'll have another, but there's no wedding"). Its global appeal made it the perfect opener to showcase his ability to blend catchy beats with relatable themes.
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"Yo Perreo Sola": Following up with another crowd favorite, Bad Bunny launched into "Yo Perreo Sola" ("I Twerk Alone") from "YHLQMDLG." This track is more than just a dance anthem; it carries a powerful social message. Bad Bunny penned it from a woman's perspective to advocate for women's autonomy and address sexual harassment in clubs. The music video famously ends with the message, "
Si no quiere bailar contigo, respeta, ella perrea sola" ("If she doesn't want to dance with you, respect her, she twerks alone"). Its inclusion was a subtle yet impactful nod to his artistic depth and social consciousness.
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"Safaera": The energy intensified with "Safaera," a raw, unfiltered reggaeton banger from "YHLQMDLG," featuring Puerto Rican legends Ñengo Flow and Jowell & Randy. This track is a masterclass in blending old-school reggaeton with contemporary flair, instantly recognizable by its distinct beat drops and nostalgic samples. It’s a testament to his ability to pay homage to the genre's roots while pushing it forward.
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"Party": Keeping the celebration going, "Party" from "Un Verano Sin Ti" infused the stage with pure dance vibes. While the studio version features Rauw Alejandro, Bad Bunny commanded the stage solo, demonstrating his immense stage presence. The song's upbeat tempo and celebratory feel perfectly matched the Super Bowl's festive atmosphere.
Showcasing the Grammy-Winning "Debí Tirar Más Fotos"
A significant portion of Bad Bunny's Super Bowl Halftime Show setlist was dedicated to his latest triumph, "Debí Tirar Más Fotos," which had just earned him three Grammy Awards, including the coveted Album of the Year, just a week prior. This selection highlighted his current artistic direction and the critical acclaim he’s receiving.
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"VOY A LLeVARTE PA PR": This track, translating to "I'm Going to Take You to Puerto Rico," is the second song on "Debí Tirar Más Fotos" and served as a heartfelt tribute to his homeland. Bad Bunny has openly stated that his latest album is "the result of the experiences that have led me to get to know myself better, even getting to know the rhythms I enjoy most—the ones I truly enjoy singing and creating." He emphasized, "I am Puerto Rican, I am Caribbean, and my music, my culture, my country's history run through my veins, from plena to reggaeton." This song, therefore, was not just a performance but a proud declaration of identity on a global platform.
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"EoO",
"BAILE INoLVIDABLE",
"NUEVAYoL",
"Café con Ron", and
"DtMF": These tracks from "Debí Tirar Más Fotos" showcased the album's diverse sonic landscape. While specific details about their live arrangements were limited, their inclusion demonstrated Bad Bunny's confidence in his new material. They allowed him to present the depth and maturity of his recent work, balancing familiar anthems with fresh, critically acclaimed compositions. Each track served as a sonic brushstroke, painting a picture of an artist at the peak of his creative power. For a deep dive into every Bad Bunny song from the Super Bowl LX Halftime stage, check out our companion article:
Every Bad Bunny Song from the Super Bowl LX Halftime Stage.
Surprise Guests and Iconic Collaborations
One of the most anticipated elements of any Super Bowl Halftime Show is the surprise guest, and Bad Bunny did not disappoint. His performance featured two legendary collaborators who elevated the show to even greater heights.
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"MONACO": Prior to the guest appearances, "MONACO" offered a moment of sophisticated swagger, showcasing Bad Bunny's versatility and ability to blend various styles within his performance.
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"Die With a Smile" (with Lady Gaga): The stadium erupted as the inimitable Lady Gaga joined Bad Bunny for a breathtaking duet of her hit "Die With a Smile." This unexpected collaboration was a masterstroke, merging two distinct global superstars known for their theatricality and vocal prowess. Gaga's powerful vocals combined with Bad Bunny's unique cadence created an electrifying synergy, leaving audiences awe-struck by the sheer star power on stage. It was a testament to the universal language of music, transcending genre and language barriers.
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"LO QUE LE PASÓ A HAWAii" (with Ricky Martin): The energy remained sky-high as Latin legend Ricky Martin made a grand entrance, joining Bad Bunny for "LO QUE LE PASÓ A HAWAii." This collaboration was a historic moment for Latin music, uniting two generations of Puerto Rican icons. Martin, known for his dynamic stage presence, complemented Bad Bunny’s vibrant performance, creating a nostalgic yet forward-thinking spectacle that celebrated their shared heritage and global influence.
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"El apagón": Rounding out this section, "El apagón" ("The Blackout") carries significant cultural weight, often interpreted as a commentary on gentrification and the power struggles in Puerto Rico. Its inclusion highlighted Bad Bunny's commitment to social commentary through his art, even on the largest entertainment stage.
Beyond the main guest acts, the performance also featured brief cameos from stars like Jessica Alba, Pedro Pascal, Karol G, and Cardi B, who famously collaborated with Bad Bunny on her diamond-certified single "I Like It." These appearances added to the "huge party" atmosphere Bad Bunny promised, making the show a star-studded celebration of music and culture.
Beyond the Music: The Super Bowl LX Halftime Experience
Bad Bunny's Super Bowl Halftime Show was more than just a succession of songs; it was a meticulously crafted experience. The stage design was a dynamic fusion of vibrant colors and innovative technology, transforming from urban Puerto Rican streets to futuristic landscapes, reflecting the diverse themes within his music. Elaborate costume changes, mesmerizing visual effects, and a legion of dancers contributed to a high-octane spectacle that never wavered. The seamless transitions between tracks, the integration of surprise guests, and the sheer energy radiating from Bad Bunny himself showcased the pinnacle of live entertainment.
His performance was a significant cultural landmark, breaking barriers and spotlighting Latin trap and reggaeton on a platform traditionally dominated by English-language pop and rock acts. It underscored the global reach of artists like Bad Bunny and the increasing diversity of mainstream entertainment. This was not just a performance for his fans; it was a statement about inclusivity, pride, and the universal power of rhythm and storytelling.
Conclusion
Bad Bunny's 2026 Super Bowl Halftime Show delivered on every promise, solidifying his legacy as a groundbreaking artist who fearlessly brings his culture and authentic self to the global stage. From the infectious beats of "Tití Me Preguntó" to the powerful collaborations with Lady Gaga and Ricky Martin, every moment of his 14-minute set was a testament to his undeniable talent and charisma. The meticulously curated song list provided a comprehensive journey through his career, showcasing why he is one of the most important musical figures of our time. He didn't just perform; he hosted a joyous, vibrant, and culturally significant party, leaving an indelible mark on Super Bowl history and setting a new benchmark for future halftime spectacles. The answer to
what songs did Bad Bunny sing at the Super Bowl is a vibrant tapestry of hits and heartfelt expressions, echoing long after the final note faded.
